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    meaning
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thunderstorm approaces, deep blue sky, horses wilding




Lightening tears temple asunder.
Divine wrath, or natural disaster?



There was a seaside temple in India that was struck by lightening. That minor storm was the vanguard to a full hurricane that eventually ravaged the entire countryside. The old temple was split from its roof line to its foundations. One entire end of the building was parted from its body like a severed head. Was this karma? Was this the punishment of the gods? Or was it simply an old building or an unfortunate accident?

What you say shows your attitude about nature, reality, and whether you believe gods intervene in human affairs. If you insist that there was some reason that lightening cleaved the temple, then you live in a world where uncertainly is the byproduct of some supreme being’s emotional whims. If, however, you accept this incident solely as a natural disaster, then you also accept random occurrences in life. Such a viewpoint does not preclude any notion of the divine, of course. It merely states that not everything in nature is administered by some heavenly bureaucracy.

It is a simple fact that lightening split the temple. The meaning of this incident — if there is any — is determined by each person. One person regards it as a disaster, another as a good thing, while a third views it dispassionately. There is nothing inherent in the incident that dictates its meaning. It is enough that we all recognize that it happened.



meaning
365 Tao
Daily Meditations
Deng Ming-Dao
ISBN: 0-06-250223-9
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title of painting "grassland"

Grassland
Ai Zhongxin 1984
Oil on canvas 30" x 43"

Ai Zhongxin graduated in 1940 from the Department of Art of the former Central University and is now a professor at the Central Academy of Art.

From the earliest times the steppe nomads lived in tented encampments which, although never permanent, sometimes grew to great size. The settlement in the background of "Grassland" is a modern version of those encampments. Visible at the far left are two circular Mongolian tents erected outside the main grouping. Flags, signifying the tribal affiliations of the group, would normally be flying from the masts, but those shown here are lowered in anticipation of the coming storm.

Inventory #: CC_0011
Source: The Hefner Collection

© The Hefner Collection
The China Collection
liscenced one time use only



THE HISTORY OF TAOISM
Russell Kirkland
University of Georgia © 2002

"Aristocratic Taoism"
 (6th century - 10th century)

Roots
  1.   “The Old Traditions of Chiang-nan” (i.e., South China before the early 4th-century Chin influx)
  2.  Interest in literary stories about beings called "transcendents" (hsien;often mistranslated “immortals”)
  3.  Interest in a goddess called “the Queen Mother of the West” (Hsi Wang Mu)
  4.  Southern patricians’ need for spiritual staus, reacting to the claims of the T’ien-shih leaders who came south with the Chin rulers after 312.

 
These aristocrats were willing to perpetuate and assimilate certain elements from the T’ien-shih traditions (somewhat as early gentile Christians adapted certain earlier Hebraic elements).  But the southern aristocrats asserted their own standing by articulating new models for personal self-cultivation (something never present in the T’ien-shih tradition) and claiming (a) that those models had been revealed by beings from dimensions higher than those who had authorized any earlier tradition, and (b) that those new models allow the individual practitioner to attain the spiritual status of such higher beings.


"The Old Traditions of Chiang-nan"  (? - 4th century)

Roots: 
Old southern traditions of bio‑spiritual self‑development and talis­manic ritual.  No founder or known historical leaders.  No sense of group identity.  Social reality and specific teachings poorly known.

Primary Texts:  
San‑huang wen ["Text of the Three Sovereigns"]:  methods of invoking spirits Wu‑fu ching ["Scripture of the Five Talismans"]:  talismanic magic

 
“T’ai-ch’ing Taoism” (2nd-7th centuries)

A term used in Ko Hung’s Pao-p’u-tzu for texts about “operative alchemy” (wai-tan)—a pursuit of personal perfection through a transformative process ex­pressed in chemical terms; to be distinguished from the later meditational systems generally called “inner alchemy” (nei-tan).  Ko says that such texts were brought south from Shantung at the end of the second century.  Surviving T’ai-ch’ing texts teach a sequence of prac­tices:  transmission from master to disciple; establishment of a sacred ritual area and selection of an auspicious time; compounding of an efficacious substance (tan, “elixir,” symbolized as cinna­bar, not gold) that would elevate the practitio­ner to a heavenly sphere called T’ai-ch’ing (“Great Clarity”); an offering to the deities; and ingestion of the tan.  It is not known how many people of what social background may have actually engaged in such practices.  New forms of “alchemy” appeared somewhat later. 




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