Chinese Characters for "translation"
blue blue elderly woman with hand on can sits amidst blue

Place the word Tao
Into your heart.
Use no other words.



Why do so many people seek foreign religions? Why are so many of our philosophies translations from other languages? Surely we are all human beings, with hearts and minds, two hands and two legs. Each of us needs spirituality, but why must we always look abroad?

People who investigate Tao ask whether they have to be Chinese to benefit from it. It is true that part of the study of Tao is strictly Chinese. It is also true that this Taoism has never been exported—unlike Buddhism, Islam, Hinduism, Christianity, or Judaism—and has never been preached beyond the Five Sacred Mountains of China. It is elitist, to protect itself from coarse unbelievers. But this Taoism is not the Tao you need.

The true Tao is of no nationality, no religion. It is far beyond the conceptions of even the most brilliant human being, so it cannot be the property of one race or culture. The need to understand Tao is universal; people just give it different names in their native languages. Tao is the very essence of life itself, so those who are alive always have the possibility of knowing Tao. It s meant to be found in the here and now, and it is within the grasp of any sincere seeker.


translation
365 Tao
Daily Meditations
Deng Ming-Dao

ISBN 0-06-250223-9

may hub
(for list of meditations)
duckdaotsu.org
duckdaotsu blog
 duckdaotsu RT

 
email to a friend

“Artist’s Mother”
Wang Huaiqing 1985
Oil on canvas 51" x 26"

Wang Huaiqing is from a family of artists and consequently began his study of art at a very early age. He was born in Beijing in 1944 and entered the Central Academy of Fine Arts Preparatory School at age eleven. From 1964 to 1966 he was a student of Wu Guanzhong's at the Central Academy of Arts and Crafts. Following the Cultural Revolution (1966-1976) he resumed his studies at the Central Academy of Arts and Crafts, graduating with a Masters degree in 1981. In 1983, he joined the Beijing Painting Academy as a professional artist. In 1987 he came to the United States where he remained for a year. During this time he was an instructor in the Art Department of Oklahoma City University. Currently, Wang lives in Beijing. His paintings have been acquired by the China National Gallery and collectors worldwide. His daughter Tian-Tian is also an artist.

"Artist's Mother" was made as a tribute to Wang's neighbor, Zhou Huaiming who was a well-known ink and brush painter. The subject was his mother, and she was 90 years old. Wang says the message of the painting is very Oriental and the perspective like that of traditional Chinese painting where you can see a subject from different levels and planes at the same time. He sees a connection between all of his work produced over the last ten years, and says if you look closely there are common elements in all of these paintings.


Stanford Studies on Daoism

Definition of “Daoism”

The Origins of Daoism
• Attitudinal Daoism I: Anarchism
• Attitudinal Daoism II: Authoritarian views
• Pre-Laozi Daoist Theory

Pre-Laozi Daoist Theory (end)
Why does Shen Dao think we should give up guiding ourselves by shared moral prescriptions? His stoicism and some of his reasoning suggests that like the Stoics, he was a fatalist. However Shen Dao's argument has no basis beyond simply logical determinism "what will be will be." The account above has no hint of a theory of causal laws, neither of predictability nor of knowledge of the future. It says nothing here about free will, but Shen Dao does advocate something like giving up moral responsibility. We should not make shi-fei this-not this  judgments. Consequently, he can not be saying that we should follow the Great Dao, because that would be to  shi this:right  whatever actually happens. He avoids this inconsistency and thus is not committed to the Stoic view that the natural/actual course of events is rational or good. It simply is.

In using the notion of the actual dao to motivate avoiding any prescriptive discourse, Shen Dao is saying to Confucians and Mohists, "if you are speaking for the nature of things, you need not say anything!" Nature does not prescribe.

What about Shen Dao's naturalism itself, however? Is it not itself another guide, a doctrine that he has managed to put into yan language? And, is it not natural for humans to use language in coordinating and ordering their interactions, accumulating and transmitting knowledge? "Abandon knowledge" amounts to a prescriptive paradox. The concept of knowledge it uses is prescriptive knowledge. In form and intent, it is a prescription — a  dao guide.  If we obey it, we disobey it. This is our first example of Daoist paradox! Shen Dao's  dao guide  is a  dao guide that can't  dao guide us.

The Zhuangzi history where we find this account of Shen Dao's doctrine, seems critical of Shen Dao's position along similar lines. Still, it moves from Shen Dao to Laozi in it's explanation of the evolution of thought that leads to Zhuangzi. Laozi produces a different line of reasoning for "abandon knowledge." He abandons the fatalist grounds — and implicitly, therefore, the concept of great dao as a guide (though he keeps a version of tiannature's  dao). We can view Laozi as combining Song Xing and Shen Dao. His reason to "abandon knowledge" is that knowledge is a form of social control that instills unnatural desires, stimulates unnatural action and constrains and distorts natural freedom or spontaneity. The Zhuangzi ordering is theoretically coherent, though perhaps chronologically inaccurate.

a reading list of books and interpretations of the Daodejing is available at
http://www.duckdaotsu.org/dao_books.html



Join the daily Taoist meditations mailing list
Email: