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    Chinese Characters for "views"


sailor brings old boat and anchor to shore



Red sea through pine lattice.
Islands kneel like vassals before headlands.
Rain clouds snag on coastal ridges.
Yarrow stands spectral in the lighthouse beam.

It is difficult to take in the details of a landscape all at once. Our eyes can only focus on one point at a time. We look near, then we look far. We look left, then we look right. Our view of any one subject, if it is large, is never whole but is a composite image in our minds. The same is true in regard to our approach to Tao.

Tao is continuous, flowing, and changing, but there is no knowing it in a single view. We rely on composite images that we form in ourselves. For a beginner, glimpses of Tao will be random and fleeting. You will stumble on it from time to time, or you will see it in the brief spaces between events. For the mature practitioner, your composite view comes from training, technique, research, and the experience of self-cultivation. But even after years, it is impossible to take in the totality.

There is a way to know Tao directly and completely. It requires the awakening of one's spiritual force. When this happens, spirituality manifests as a brilliant light. Your mind expands into a glowing presence. Like a lighthouse, this beacon of energy becomes illumination and eye all at the same time. Significantly, however, what it shows, it also knows directly. It is the light that sees.


views
365 Tao
Daily Meditations
Deng Ming-Dao
ISBN 0-06-250223-9
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“Old Ferry On The Yellow River”
Wang Huaiqing  1987
Oil on canvas 30" x 40"
Wang Huaiqing is from a family of artists and consequently began his study of art at a very early age. He was born in Beijing in 1944 and entered the Central Academy of Fine Arts Preparatory School at age eleven. From 1964 to 1966 he was a student of Wu Guanzhong's at the Central Academy of Arts and Crafts. Following the Cultural Revolution (1966-1976) he resumed his studies at the Central Academy of Arts and Crafts, graduating with a Masters degree in 1981. In 1983, he joined the Beijing Painting Academy as a professional artist. In 1987, at the invitation of Robert A. Hefner III, he came to the United States where he remained for a year. During this time he was an instructor in the Art Department of Oklahoma City University. Currently, Wang lives in Beijing. His paintings have been acquired by the China National Gallery and collectors worldwide. His daughter Tian-Tian is also an artist.           image used with permission


Stanford Studies on Daoism
Definition of “Daoism”


The Origins of Daoism

    •  Attitudinal Daoism I: Anarchism
    •  Attitudinal Daoism II: Authoritarian views
    •  Pre-Laozi Daoist Theory

Pre-Laozi Daoist Theory

 The earliest known "history of thought" in ancient China is Chapter 33 of the Zhuangzi. It surveys trends of thought leading from the "ancients" (the Chinese golden age"?) to Zhuangzi. After introducing the ancient dao it implies a "fall," then lists a series of groups of thinkers leading to Laozi's group and finally to Zhuangzi. The list takes key thinkers to be motivated by goals of neutrality, universality, freedom from bias and natural "spontaneity" in action. The list starts a group that includes Mozi (universal, impartial utilitarians), then discusses anti-conventionalists headed by Song Xing, third came Shen Dao's group (metaphysical anti-knowledge stoics), then Laozi and Zhuangzi. It bitterly dismisses Zhuangzi's friend and frequent philosophical debating companion, Hui Shi along with the school of  names  as if he were irrelevant to understanding Zhuangzi's thought. Thus we must use this history cautiously and here I will use this internal history but temper it with external accounts, and demur from this last, counter-intuitive, historical re-writing.

 Initially, it is a surprise to see Mozi listed as a "forerunner" of Daoism since in many respects, Daoist takes their dispute with Confucianism as its main target. However, in both attitudinal and theoretical senses, Daoism could be said to have roots in the anti-Confucian Mozi (5th Century BC). First, his early challenge to Confucianism initiated higher level philosophical reflections on dao, its role and the kind of thinking it involved. Mozi, for example, theorized that a dao should be constant, not a matter of a special history or arbitrary social convention. He supported his use of a utilitarian standard to evaluate social daos on grounds of the impartiality and constancy of the benefit-harm distinction. He taught this "constant" feature of utilitarianism was evidence that it was  tian nature's standard.

 Mozi's challenge to Confucianism focused on his crucial philosophical realization that our own traditional norms do not warrant taking traditions as correct. Mozi thus launched the meta-search for a way (a dao ) impartially to select a first-order dao. He first formulates the goal of unbiased, universality in morality. Both of these results, further, involved important theoretical insights into the concept of dao. The Mohists developed much of the terminology of analysis that other Chinese thinkers, including Mencius and Zhuangzi, adopted.  Zhuangzi deployed the language to undermine all moral authority.

 However, Mohism did directly advocate a first order normative dao and followed Confucianism in the assumption that an orderly society needs to follow a single constant dao. Though they developed an account of how to justify a dao and first formulated the standard of dao adequacy (constancy), they did not directly address the nature of a dao nor did they exhibit much worry about whether such a dao was knowable. They disagreed with Confucianism mainly on the content of the dao guide  to be imposed on society by authority. Theoretical Daoism focused on the insolubility of this  ru-mo Confucian-Mohist debate.   (continued)


a reading list of books and interpretations of the Daodejing is available at
http://www.duckdaotsu.org/dao_books.html



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