disaster

Mute black night,
Sudden fire.
Destruction.
Disaster strikes at its own time. It is
so overwhelming that we can do nothing other than accept it. It alters
the course of our day, our work, our very thinking. Although it is
tempting to resist disaster, there is not much use in doing so. We
cannot say that a disaster had malice toward us, though it might have
been deadly, and it’s hard to say that it has “wrecked” our plans: In
one stroke it changes the very basis of the day.
Disaster is natural. It is not the
curse of the gods, it is not punishment. Disaster results from the
interplay of forces; the earthquake from pressures in the earth, the
hurricane from wind and rain, even the accidental fire from a spark. We
rush to ask “Why?” in the wake of a great disaster, but we should not
let superstition interfere with dispassionate acceptance. There is no
god visiting down destruction.
Disasters may we change us deeply,
but they will pass. We must keep to our deeper convictions and remember
our goals. Whether we remain ash or become the phoenix is up to us.
disaster
365
Tao
daily
meditations
Deng
Ming-Dao (author)
ISBN
0-06-250223-9


Celestial Worthy of the Way and Its Power (detail)
Early Qing dynasty, 17th/18th century
Hanging scroll; ink and colors on silk 160 x 80 cm
White Cloud Monastery2
(Baiyun Guan), Beijing cat. no. 67
Celestial Worthy of The Way and
Its Power
Together with the previous painting, the Celestial Worthy of Numinous
Treasure, this painting formed part of a triptych depicting the Three
Purities. It shows the third of the Three Purities, the Celestial
Worthy of the Way and Its Power, or Laozi. The god's identity is
indicated by the presence of his defining attribute, a fan with
fly-whisk. His divine title was derived from the name of the text
attributed to him: the Classic of the Way and Its Power1(Daode
jing). Since the name Laozi literally means "elder master," he is shown
with white hair and an aged face, unlike the other two Celestial
Worthies. Laozi also differs from the others in that he played an
active role in the development of Chinese civilization, often appearing
to reveal divine teachings to humanity.
Here, he sits on a throne in his celestial kingdom, attended by two
figures whose lesser stature serves to emphasize his magnificence. The
figure on the right is Zhang Daoling3, the first Celestial Master and the
founder of the Way of the Celestial Masters4, which formed the foundation for
religious Taoism. Zhang accompanies Laozi because he was supposedly
inspired by a vision of the sage master. The other figure may represent
Yin Xi, the man to whom Laozi first revealed the Classic of the Way and
Its Power. The artist's choice of these two attendants—the most
important representatives of Laozi on earth—highlights Laozi's
active participation in the human realm.
glossary:
1 Classic
of the Way and Its Power (Daode jing) (also spelled Tao Te Ching) the earliest-known text of the Taoist
tradition, which is said to have been authored by the legendary figure
Laozi. The text is actually a compilation of various writings collected
over the course of generations. It may have assumed its current form by
the third or fourth century B.C. The Classic of the Way and Its
Power includes poetic passages, sayings, fragments of political
texts, and passages intended for recitation. It served as the
foundation for both philosophical and religious Taoism.
2
White Cloud
Monastery
(Baiyun Guan) one
of the most famous Taoist
monasteries in
China. The temple, located in Beijing, was first built in the Tang
dynasty and assumed its present name when it was rebuilt in 1394 during
the Ming dynasty.
3 Zhang Daoling
(also known as Celestial Master Zhang) Taoist leader, from the second century
A.D., who converted the philosophical ideas of Taoism into a popular
religion. He is said to have written approximately 24 works of Taoist
scripture, cured the sick through incantation, and taught people to
confess their wrong deeds. The image of Zhang Daoling riding a tiger
became popular for expelling insects, curing diseases, and protecting
the family from calamity.
4 Way of the
Celestial Masters the
first formal Taoist religious organization, founded in the late Han
dynasty by Taoist master Zhang Daoling, who claimed to have received
teachings from the deified Laozi. Members of the Celestial Masters sect
addressed the spiritual needs of the community. Communal rites were
performed regularly, especially during seasonal changes. The Celestial
Masters sect was also responsible for healing, which required the
recording of misdeeds on a paper addressed to one of the Three
Officials (heaven, earth, or water). The movement remains active in
China to this day.
review
T A O I
S M A N D T
H E A R T
S O F C H I
N A

THE
TAOIST CHURCH
The
Taoist Pantheon
Overview
Broadly speaking,
there are two kinds of deities in Taoism.
The first formed spontaneously out of the primordial energies at the
beginning of the world. These are the highest gods of Taoism who hold
titles like "Celestial Worthy" or "Emperor." These gods hold court in
celestial paradises and govern a complex hierarchy of lesser gods
similar to the hierarchy of emperor and officials on earth. Many of the
most fundamental gods of this category developed between the second and
sixth centuries A.D. and were consolidated into a well-defined pantheon
by the Tang dynasty. Among them are the Three Purities3
(including Laozi) and the Three Officials. As pure embodiments of the
Way, these Taoist gods are abstract figures defined more by their rank
than by their personal mythology. They do not accept sacrifices of food
or alcohol and can only be contacted through official requests written
by Taoist priests.
The second category
of Taoist deities consists of human
beings who—through learning, self-discipline, alchemy, or other
means—have purified themselves of mortal imperfections and become gods,
a transformation often described as "ascending to the heavens in broad
daylight."
© many thanks to
the Chicago Institute of Art
Three
Purities (Three
Clarities) the highest deities in Taoism, they reside over
the
three greatest heavenly realms. Their names are the Celestial Worthy of
Primordial Beginning, the Celestial Worthy of Numinous Treasure, and
the Celestial Worthy of the Way and Its Power.
numinous
having spiritual, mysterious, or holy qualities
hierarchic
scale an
artist's method of indicating the importance of individuals through
relative size, regardless of actual dimensions. Persons of lesser
importance are thus depicted smaller in size in relation to their
superiors.
Complete
Realization
sect a Taoist monastic order founded in northern
China
around 1160. The sect combines the teachings of Taoism, Buddhism, and
Confucianism. The goal of the sect's followers was to attain
immortality by perfectly realizing the Tao in themselves. Both male and
female members of this sect practiced a strict monastic lifestyle. It
survives today as one of the two major sects of Taoism, and its
headquarters is the White Cloud Monastery in Beijing.
religious Taoism
a
term used to define Taoism as an organized, institutionalized religion
as opposed to the original philosophical tradition. Religious Taoism
developed between the second and fifth centuries A.D. and built on the
earlier philosophical foundations. Unlike philosophical Taoism,
religious Taoism incorporated new ritual practices and religious
institutions, established a priesthood, defined the Taoist Canon, and
created a pantheon of deities.
Taoist
Canon the
collected scriptures of Taoism, systematically catalogued by imperial
decree for the first time in the fifth century A.D. The present Taoist
Canon dates to the 15th century.
Copyright
© 2000,
The Art Institute of Chicago.
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