indifference




black and white looking colors muted lovely water and china




For a true master,
     sitting on a throne
Is no different than
     Sitting on dirt.


A true master is indifferent to the ways of society. Ambition, knowledge, and religion are equally uninteresting. Why? Because all these things are in the realm of human definition.

The holy person transcends all identity. Therefore, wealth or poverty, good or bad, violence or peace makes no difference. Dichotomies are no longer valid to such a person.

Do you find this hard to believe? The degree that you find this difficult to accept indicates the degree to which you are shackled by dualism. True enlightenment comes from understanding the oneness of all reality. Such a realization leads to a perception that all things are truly equal. A master sees nutrition and disease as the same, life and death as the same, morality and immorality as the same. If you give the masters something to eat they will eat. If they have nothing to eat, they forget that there was ever sch an activity. There is no polarity in their lives.

We ordinary people cannot do this. We make distinctions, defend ourselves and our territories. We feel safe only inside declared boundaries. This is the way we define ourselves, but our identities are also our prisons. Only a master knows the meaning of liberation and has complete freedom.



indifference
365 Tao
daily meditations
Deng Ming-Dao (author)
ISBN 0-06-250223-9

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landscape
Zhang De Quan
4'8" x 2'2
1.42m x 0.68m

from the Gallery of China
http://www.the-gallery-of-china.com/chinese-landscape-painting.html
this is from room sixteen at this site
this original painting is available for purchase

L5712

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if this painting is purchased

click on thumbnail
for more information
 

Chinese Paintings Landscape Meanings
     For over a thousand years, since the T'ang dynasty, Chinese landscape paintings have been understood as both an intimate expression of nature and as a way of conveying profound emotions.   Landscape paintings have traditionally been China's favorite Chinese painting as they show the poetry in nature. It is the "nature of nature" that the artist tries to convey in a Chinese landscape painting. So, it is not so much a portrait of a mountain but a composite of many elements of nature that invite you to wander in imagination through the landscape.  Literally translated, the Chinese characters for landscape mean "mountain and water". Almost all Chinese landscape paintings depict mountains and water, generally a river. The mountains represent a long life, and water the sea of happiness. In harmony together, mountains and water symbolize a long happy life. Most Chinese landscape paintings will also show mist or clouds which symbolize good fortune and happiness and are understood to arise from the union of the two main principles, yin and yang.  Clouds and rain can also refer to sexual union, the clouds being the blending of the male and female, the sky and the earth, and the rain, the climax of the union. This relates to an old Chinese creation story in which heaven or sky, the Great Father, and earth, the Great Mother, are thought of as a conjugal couple engaged in never-ending intercourse.
        For the Taoist, Chinese landscape paintings represent the eternal Tao, the ultimate reality that pervades all life. It's the Chinese landscape painting in which the overwhelming experience of the one-ness of nature and soul can be realized.  In ancient times mountains were special objects of veneration that were thought to ensure cosmic order and permanence, and virtually every mountain was believed to have its resident mountain god.


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