poetry



musical instrument, peacock feathers of the spectrum as adornment




Anything is subject for a poem:
A catalog of boxing equipment, a collage of
     other poems,
Serpentine trail of incense, raised deer fur, old
     shoes pointed pigeon-toed,
Glass and steel cityscape, almond eyes of a saint,
     weeping of tiny flowers,
Sunlight on whitewashed walls, blue shadows of
     stooped women,
A sprung mousetrap, a trickle of blood in the
     gutter,
The homing swoop of a gull, chill whitecapped
     bay, scent of eucalyptus.
Green lawn of broken blades, clods of fat earth.
Anything is subject for a poem.


Even in sleep, write a poem.
When waking, write a poem.
While loving, write a poem.
Even voting, write a poem.
When angry, write a poem.
While dreaming, write a poem.


The sages say quite seriously that those who wish to know Tao better should cultivate the poet in themselves.



poetry
365 Tao
daily meditations
Deng Ming-Dao (author)
ISBN 0-06-250223-9

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Mayuri (Peacock), 19th century
India
Wood, parchment, metal, feathers; L. 112 cm (44 in.)
The Crosby Brown Collection of Musical Instruments, 1889 (89.4.163)
The Metropolitan Museum of Art

Description
Popular at nineteenth century Indian courts, this bowed lute borrows features of other Indian stringed instruments, such as the body shape of the sarangi and the frets and neck of the sitar. There are four melody strings and fifteen sympathetic strings that sound when the instrument is played to accompany popular religious song. The peacock is the vehicle of Sarasvatî, the goddess of music, and it appears in Indian poetry as a metaphor for courtship.

front of instrument
front, extra close
middle, extra close
end of peacock

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