poetry
Anything is
subject for a poem:
A catalog of boxing equipment, a collage of
other poems,
Serpentine trail of incense, raised deer fur, old
shoes pointed pigeon-toed,
Glass and steel cityscape, almond eyes of a saint,
weeping of tiny flowers,
Sunlight on whitewashed walls, blue shadows of
stooped women,
A sprung mousetrap, a trickle of blood in the
gutter,
The homing swoop of a gull, chill whitecapped
bay, scent of eucalyptus.
Green lawn of broken blades, clods of fat earth.
Anything is subject for a poem.
Even in sleep, write a poem.
When waking, write a poem.
While loving, write a poem.
Even voting, write a poem.
When angry, write a poem.
While dreaming, write a poem.
The sages say quite seriously that those who wish to know Tao
better
should cultivate the poet in themselves.
poetry
365 Tao
daily meditations
Deng Ming-Dao (author)
ISBN 0-06-250223-9
Mayuri (Peacock), 19th century
India
Wood, parchment, metal, feathers; L. 112 cm (44 in.)
The Crosby Brown Collection of Musical Instruments, 1889
(89.4.163)
The Metropolitan Museum of Art
Description
Popular at nineteenth century Indian courts, this bowed lute borrows
features of other Indian stringed instruments, such as the body shape
of the sarangi and the frets and neck of the sitar. There are four
melody strings and fifteen sympathetic strings that sound when the
instrument is played to accompany popular religious song. The peacock
is the vehicle of Sarasvatî, the goddess of music, and it appears
in Indian poetry as a metaphor for courtship.
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